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As a part of this month’s focus on the Holy Spirit, I’m working on a couple different opportunities for dialogue and conversation about our hymnological and musical experience in Churches of Christ with regard to the subject of and person o f the Holy Spirit, the third Person of the Godhead, the Trinity.

If you would be so kind, take a moment and fill out this short poll so we can have some information from you to help us as we anticipate this conversation.

Thanks!

https://goo.gl/forms/2G7xoEzcaUpueFKJ2

I am still amazed at little, seemingly hidden verses that strike me from time to time. In recent years, it seems to always happen at Christmas. Last night was no different.

Our congregation travels to a local rehabilitation and nursing facility every other Wednesday night to sing and fellowship with a special group of residents. Last night was our final visit for 2017. So, we sang through the entire Christmas, er, I mean, “Special Themes” section of our hymnal. True, there are several important Christmas hymns and carols noticeably absent from this particular compilation (O Come, O Come, Emmanuel, God Rest Ye, Merry Gentlemen, Sing We Now of Christmas, I Heard the Bells on Christmas Day, Infant Holy, Infant Lowly, just to name a few).

We came to It Came Upon the Midnight Clear. And we started in, just like we’d sung it time and time again. But we came to the third verse, and there it was, and it hit me right between the eyes.

I must make a note here before going into that lyric: We in Churches of Christ have missed the boat on a LOT of the rich, broader Christian hymnody of Advent and Christmas. Not only that, but we’ve bred a culture of singing that skips stanzas. So many of our hymns and songs were constructed to tell a story…especially, this is the case in so many of these Christmas carols and songs…they tell of the full narrative, of the prophets foretelling the coming of Messiah, of Mary’s encounter with the angels, of the manger, and of the upside-down-ness of Jesus’ coming and our waiting for his second advent, his return…living in that in-between. We’d do well to sing all of these stanzas, and to broaden our choices to include hymns and carols with a rich heritage, while also looking to include new hymns such as Matt Boswell’s Come Behold the Wondrous Mystery which tell the Christ story in with a wonderful new tune and rich text. Listen to the original here, then you can buy the a cappella version here. You can also read the comments of my friend and professor, Dr. Scott Aniol about omitting Christmas stanzas in a recent Baptist Press article here.

midnight

I digress…
So often, these Christmas hymns include a story of how our world is doing anything but living in the reality of God’s world-changing love, as shown through Jesus. I’ve written before about hymns like O Come, O Come Emmanuel and O Holy Night and how they sing into just how we are to live out that love in the here and now. So often, these ignored stanzas speak of the sadness of war and the lack of love for brother and sister humankind…

This verse is no different. Consider these lyrics.
Edmund H. Sears (1810-1876)

3 Yet with the woes of sin and strife
the world has suffered long;
beneath the angel strain have rolled
two thousand years of wrong;
and warring humankind hears not
(Some hymnals use the original, “and man, at war with man hears not”)
the love song which they bring.
O hush the noise and cease your strife,
and hear the angels sing.

Considering this hymn was written over 140 years ago, the commentary on the warring between humankind and the plea with us to cease our strife is all the more powerful, and all the more relevant for us today.

And it sets up the closing stanza, now more important than ever to sing in light of stanza 3.

4 For lo, the days are hastening on,
By prophets seen of old,
When with the ever-circling years,
Shall come the time foretold.
When the new heaven and earth shall own
The Prince of Peace their King,
And the whole world send back the song
Which now the angels sing.

In our living and loving, may we send back heavenward, and to our brothers and sisters, the “song the angels sang.”

And may we sing these hymns and the rich stories they offer in their entirety…and may we be changed because of it.

Christmas, 2015, I wrote this post amidst a sea of unrest, politically and otherwise.  In light of tragic events in our country and around the world, I find myself reflecting on it again this holiday season.

There has been a lot of swirling conversation going on around me, both physically and virtually, about what has gone on in the world around us…Syria, San Bernardino, Orlando, Jerry Falwell, Trump, Sexual Scandal In Hollywood and on Capitol Hill, Abuse of all kinds, terrorism…and on and on.  This mounting and culmination of all these events and occurrences…like you, I’ve had enough and I needed a moment to just sit, be, listen and be quiet…in the quiet, I was overcome by the lyrics of one of the world’s most beloved Christmas Carols…and I had to write a bit about it. A Carol of Adolphe Adam and Placide Cappeau, originally called Cantique de Noel, or “Oh Holy Night.”

From the beginning, he was destined to follow his father in the family business (vinification and cooperage); but after an accident, he turned to the life of an academic. The accident occurred when he was eight years old, while “playing” with his friend Brignon. The young Brignon was handling a gun and shot Cappeau in the hand. This led to the young Cappeau having to undergo an amputation of his hand. Thanks to the financial support from  Brignon who supplied half of tuition,  Cappeau was able to attend a town school and was accepted into the Collège Royal d’Avignon. While there, in spite of his disability, he was awarded the first prize in drawing in 1825.

After studying in Nîmes, where he received a baccalauréat littéraire (A level in literature), he studied law in Paris and was awarded a license to practice law in 1831.

Following in his father’s footsteps, to an extent, he became a merchant of wines and spirits. However, his focus in life was literature.

He is quoted as saying he wrote the poem “Minuit Chrétien” (O Holy Night) in a stagecoach on his way to Paris, between Mâcon and Dijon. Despite Adolphe Adam calling his tune “la Marseillaise religieuse” (The religious Marseillaise),  Cappeau held often outspoken socialist and anti-clerical (secular) views. (hymnary.org)

The third verse of “Oh Holy Night” speaks of a world in which those who claim to follow Jesus are living out he calls all of his followers to in this subversive Gospel…

That Gospel is deeply rooted in Love of God and Love of Others…and so many claim the first part of that Call…the part about loving God.  But the back half…well, I’m afraid some have given Christ a bad name in how we’ve lived that out in recent days, weeks and months…that love of “others” is not one we can or should place provisions or privileges on…it’s an unconditional love for all of our brothers and sisters…

Cantique-002

 

“Truly He taught us
to love one another;
His law is Love
and His gospel is Peace;
Chains shall he break,
for the slave is our brother,
And in his name
all oppression shall cease,
Sweet hymns of joy
in grateful Chorus raise we;
Let all within us praise
his Holy name!”

 

 

May we help bring this verse to a reality…may Life on earth come increasingly as it is in Heaven.
Come, Lord Jesus!

As the anticipation, the “Watching and waiting, looking above” continues, we move (backward) to the first verse of “O Come, O Come Emmanuel.”  Perhaps, this is the most poignant of this hymns litany of verses, with its begging and pleading for Messiah to come…little did they know just what that Messiah would look like.

O Come, O Come Emmanuel
And ransom captive Israel
That mourns in lonely exile here
Until the Son of God appear.

Rejoice! Rejoice!
Emmanuel shall come to thee,
O, Israel.

O-Come-EmmanuelAs I stated in my last entry, each verse gives us a glimpse into a different prophecy, a different Name identified in scripture.  “Emmanuel” meaning “God is With Us” (or even better translated “God is With us Now”, we know well from the prophecy of Isaiah which is reiterated in Matthew & Luke’s account of the birth narrative. (Is. 7:14, Mt 1:23)

Musically speaking, this hymn and namely this opening verse and its significance is inextricably tied to its role in the great “O” Antiphons.  Hymnologist J.R. Watson provides a context for the antiphons included on the second page after the hymn in the most recent printing of the United Methodist Hymnal: “The antiphons, sometimes called the ‘O antiphons’ or ‘The Great O’s’, were designated to concentrate the mind on the coming Christmas, enriching the meaning of the Incarnation with a complex series of references from the Old and New Testaments.”

Each antiphon begins as follows:

O Sapentia (Wisdom)
O Adonai
 (Hebrew word for God)
O Radix Jesse
 (stem or root of Jesse)
O Clavis David
 (key of David)
O Oriens
 (dayspring)
O Rex genitium
 (King of the Gentiles)
O Emmanuel

If one were to look at the first letter of the second word of these titles, each with verses translated by John Mason Neale in various hymnals of our time, you’d find an acrostic, SARCORE.  When spelled backwards, and this is where the interesting-ness continues, you get “ero cras,” which in the Latin means “I will be present tomorrow.” Every one of the Latin titles anticipating the coming Messiah, Jesus are from the Old Testament except “Emmanuel,” which is found both in Isaiah 7:14 and Matthew 1:23, as mentioned above. Matthew quotes Isaiah virtually verbatim—“Behold, a virgin shall conceive, and bear a son, and shall call his name Emmanuel”—with the exception that Matthew adds the phrase: “which being interpreted is, God with us.”

O Come, O Come Emmanuel
And ransom captive Israel
That mourns in lonely exile here
Until the Son of God appear.

Rejoice! Rejoice!
Emmanuel shall come to thee,
O, Israel.

I love the longing in the words of this prayer…like Israel amidst it’s waiting for liberation…like those in the 400-year period of silence, waiting for Messiah to come…we too are longing, waiting to be ransomed out of this earthly captivity.  So we wait…but we rejoice, because, like the writer who penned the “rejoice” chorus, we know how the story ends.  Messiah did come…and will come again. In the meantime, “Maranatha…Lord, come quickly…and thy will be done on earth, as it is in heaven.”

Come, Emmanuel!

No sooner had the Thanksgiving dressing been put away to become a late-afternoon football snack than the Christmas decor began to make its grand entrance from almost a year’s worth of being stored away!

Isn’t this story so true in many of our homes?  Seems like some folks
have been ready to unleash Burl Ives, Ray Conniff, Mitch Miller and Jose Feliciano since mid-August…but alas, we can hold them off no longer.  For the season of anticipating Christmas is finally here…the Advent of Christ is upon us according to the Christian Calendar.

Maybe it is the weather of the last few days (both at home and in Chicago), but I’ve been thinking about the lyrics of one of my favorite Christmas hymns which guides us through the advent story so well…and does so with such a potent lyrical connection for us today that I really can’t wait to start singing it.

The words find their origins as early as the mid-late 12th century and were translated (or believed to be translated) by John Mason Neale around 1851.

The music finds its origin in the Libera Me, from the funeral mass of the Catholic Mass.  It was called Veni Emmanuel as early as the late 15th century when it was paired with the ancient text by a group of Fransiscan Nuns.  It’s scriptural connection, throughout each verse we know and those left out of modern hymnody is obvious.  We see Isaiah 7:14 “Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel. The Rod of Jesse refers to Isaiah 11:1: “There shall come forth a rod out of the stem of Jesse;” Jesse was, of course, the father of David, second king of Israel. Day-Spring comes from Zacharias, father of John the Baptist, in Luke 1:78: “The dayspring from on high has visited us.” “Thou Key of David” is in Isaiah 22:22: “The key of the house of David will I lay upon his shoulder,” which in turn refers to Isaiah 9:6: “The government shall be upon His shoulder.”  I’ll explore each other verse throughout this Advent season…

However, in light of the world’s recent events, terror and tragedy, and tragedy in the loss of family and friends in my own life in recent weeks, I find myself praying this prayer from one of the latter verses of O Come, O Come, Emmanuel.

O come, Thou Day-spring, come and cheer
Our spirits by Thine advent here;
Disperse the gloomy clouds of night,
And death’s dark shadows put to flight.

Indeed…come, Emmanuel.  Bring light & hope into our gloomy darkness!

S.D.G.
soli deo gloria

D.J. Bulls is the Worship & Communication Minister at Riverside Church in Coppell, TX. He is a graduate of Abilene Christian University, the University of Texas, and currently a Doctoral Student in Church Music & Hymnody. He is husband to Meghan and father to Mackenzie…He loves baseball, the Texas Rangers, and Alabama Crimson Tide Football. He teaches music, leads worship, and gets to be a conductor for a wonderful semi-professional choral ensemble in the DFW MidCities called the MidCities Chamber SingersHe composes and arranges music, is on the executive team for the Timeless Psalter project and leads worship all over the country through Bulls’ Pen Music and Fearless4You Music.

 

“Fractured Beauty” Community art project – a table top mosaic. Invite everyone to contribute to the whole by creating something beautiful out of something broken. (Photo: Betsy Stratton)

 

Over the course of September, we have discussed what it means to be a left-brained church in a right-brained world. I think we leave no doubt that we are indeed a cerebral crew! But what does it mean when we privilege our head over our heart and hands? It means we are out of balance and need stabilization. Integrating the arts into our worship gatherings can offer one means of balance to our sometimes wobbly and uneven lives of faith.

Here are a few ways to begin redeeming the arts in worship for Churches of Christ:

Start a Discussion:

  • Design a survey or inventory to discover artistic gifts among your congregation. Remember, this may include people with woodworking skills or engineering know-how to consult on space and lighting issues.
  • Gather a team of creatives to form a Worship Arts Team in your church.
  • Many artists do not belong to a congregation. How could your church reach out evangelistically to artists?
  • Which areas of your church include visual arts? What message do these works convey? Where else might you use art to enhance worship or congregational life?
  • How might you use a common interest in creating art to build community in your church?
  • How well do the arts-inclined people in your church understand the difference between thinking theologically and thinking decoratively?

40 Creative Ideas to Get Started:

  1. Bring your visual artists together to create a large-scale mural to hang as a backdrop behind your stage in your sanctuary.
  2. Create an ambience team whose job would be to create the ambience and decor for your sanctuary. This multi-disciplined approach can include graphic arts, interior design, floral design, and set, sound, and light design.
  3. Start an art gallery in the lobby or other area of your church building.
  4. Sponsor a live music cafe on your church campus. Better yet, create a live venue at a local coffee shop and have your musicians play there.
  5. Create visual testimonies of faith using portraits, collage, mixed media, etc.
  6. Start a monthly songwriter’s guild where your musically creative people can share their songs, hone their skills, and encourage one another.
  7. Create an open studio, a regular venue for gathering a community of artists of all kinds, to create together in a relaxed and affirming environment.
  8. Invite visual artists (such as painters, pastel artists, or sculptors) to create artas an expression of worship during your services.
  9. Recruit actors to build a drama team that will perform during your services, and empower the writers in your church to write scripts for the team.
  10. Establish an after-school program for the arts. This can take many forms and sizes, from art classes to dance lessons to photography to a school of rock.
  11. Encourage your songwriters to write original worship songs and incorporate them into your services as expressions of faith.
  12. Host an arts festival and invite all the artists of faith from your area to participate.
  13. Experiment and incorporate Visio Divina (praying with an image in mind) into your corporate worship experiences.
  14. Start a book study for all the artists of faith in your church or arts community.
  15. Present a theatrical play. One act or full, comedy or drama, musical theater or murder mystery; this can be a great outreach for your church, and can tap into a whole host of artistic disciplines—acting, set design, graphics, music score, lighting, visual arts, etc.
  16. Challenge the gifted writers in your church to write short stories, i.e., modern parables, which can be shared in children’s ministries or even in services.
  17. Use poetry and spoken word in your worship gatherings.
  18. Give your technical artists the tools to be creative. Purchase adequate lighting for your lighting tech, an adequate mixing console for your sound tech, and adequate computers for your multimedia tech.
  19. Ask your graphic artists and photographers to create original backgrounds for the lyric slides you use during your worship services.
  20. If you have quilters, needlepoint or tailors in your congregation, have them create tapestries to hang in your sanctuary, or tablecloths for your communion table.
  21. Get your videographers involved in your services by having them produce video announcements. You can also use these in your church websites.
  22. Create an on-line media gallery on your church website to celebrate and share the arts, and the artists, of your church.
  23. Send your photographers out to take nature photos, and then use them in your worship as a visual call to worship.
  24. Involve the young photographers in your congregation as well, seeing the world through the eyes of a child is enlightening and beautiful.
  25. Invite the teenagers in your church to share their favorite song lyrics(appropriate of course), hand-written and framed, for your art gallery. Related to the previous idea, this also is a window into the minds of our teens.
  26. Start a photography team, which will take photos of all the events of your church. Post them on your website. Every year, compile the best of them and create a video montage celebrating the life of your church.
  27. Produce a worship CD with your musicians and vocalists.
  28. Let the youth of your church graffiti the walls of your youth room or provide large stretched canvas or even canvas tarps.
  29. Start a culinary arts club.  Yummy – seriously, why aren’t we doing more of this!
  30. Assemble a worship choir. You can start small with a one-time event, and work towards seasonal or year-round participation.
  31. Start a book club in your church.
  32. Commission an artist to create a piece that conveys the mission or ministry of the church. Or commission several artists to create a piece of art for each of the Stations of the Cross, etc. Don’t be afraid to commission a piece of art, you pay for the plumber to work at the church, make it ok for artists to be paid as well.
  33. Create a piece of art together as part of a larger gathering, mission, or lesson. Glass or tile mosaics offer a perfect medium for adults to participate even if they feel hesitant about their creative abilities. You’ll be surprised by how enthusiastically “non-artistic” adults will engage when given the opportunity!
  34. Offer an “Art and Spiritual Formation” class in your Sunday morning adult education line-up. Begin class with a Scripture reading, a song, poem, a visio or lectio divina exercise and give the participants an opportunity to respond in creative ways. Here are some ideas to get you started: paper collage, clay/play-doh, painting, poetry, doodle-art, prayer beads, mosaics, string and glue, sand art, or sketching.
  35. Make a space to mentor and train young artists to follow God’s call on their lives as worship artists. This will offer low-key ways for artists to begin practicing and using their gifts to glorify God, tell the Story, and bless the church. For example, set up a space at the back of the sanctuary for budding artists to work along-side veteran worship artists during the assembly.
  36. Create a “flipped classroom” where the youth and children of your church can facilitate a learning environment utilizing the arts with adults. We can learn a great about creativity and being created in the image of God from our kids. In all my years of ministry I have never given a crayon to a 5-year old who refused it and said, “No thanks, I can’t draw.”
  37. Consider contacting an artist to offer art lessons at church, host an art show, or invite artists who don’t attend church to share ideas or attend a special event.
  38. Enlist artists with theatre and vocal training to use their gifts to read Scripture during the assembly.
  39. Establish a big idea group made up of the most creative artists in your church to come up with a hundred more ideas you can enact in your church. Good things happen when creatives come together. Hint: For maximum creativity, always feed them.
  40. Pray for your artists.

I’m anxious to hear and see all the creative ways you redeem the arts in your church and your own walk of faith. Soli Deo Gloria!

“Simply Jesus” 40×60 oil on canvas. Painted during the keynote message by Scot McKnight at the Preacher’s Initiative conference at the Highland Oaks Church of Christ, Dallas, TX. November 2016.

 

During lunch on Sundays my family usually discusses the sermon from earlier that morning. My teenage sons have heard their dad preach their whole lives and have come to expect the question, “What did you hear in the sermon today?”

Recently, our youngest son answered with, “I’m sorry dad, I have to admit I wasn’t listening today. Everyone was playing this game on their phones and I guess I was just too distracted.” This kid is smart and he is also a good schmoozer, he could have faked it and made something up, but he resisted – he told the brutal truth. He was unable to pay attention, much less glean anything useful from the sermon because he and forty other kids were simply distracted. Wade is a brilliant communicator, but he was not able to break through the digital distraction of the entire youth group. Something else had their undivided attention.

Our culture is changing faster than most churches can keep up. Not only are we losing the ability to pay attention, our culture has succumbed to what Richard Foster calls the new tools of the devil: the distractions of much-ness, many-ness, crowds, hurry, and noise (and I would add technology to that list.)

We live in a Postmodern, Post-Christian age that is technology driven, immediate, and impatient. As regular churchgoers it is easy to be mortified by the actions of the youth group playing games on their phones during church, but adults are just as guilty. We may exhibit more overt courtesy during worship, but adults are just as preoccupied and inattentive as our kids.

The arts are among the few powerful mediums with which we can break through the distractions, slow down, and speak into our preoccupied and frenzied culture. I believe that if we want to affect our culture as followers of Christ, then artists of faith are compelled to create culture.

The arts do not just illustrate theology but are themselves modes of theological expression and worship. Those of us raised in the Stone-Campbell movement come from a pragmatic heritage that believed efficiency and simplicity were necessary to spread the gospel. Art is neither simple nor efficient so it can feel superfluous and emotionally unpredictable.

Yet, we live in a visual world that is becoming more aware of art, aesthetics and design. Our culture is changing, however our worship experiences are not in step with those changes. I believe that our times of worship and the mission of the church can enrich and be enriched by the arts. Nearly forty-five years ago, Francis Schaeffer said, “A Christian should use the arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God. An art work can be a doxology in itself” (Art and the Bible, 19).

There is a new generation that is discovering and calling for the arts as liturgical expressions of praise to God. Madeleine L’Engle argues that since the Master Artist has created artists, our duty is to make art that points others back to God.

Churches of Christ must reclaim what we have lost and once again become alert to the power of the arts. If the church is going to be successful in its mission to reach the current generation and the generations to come, it is imperative that it engages culture more creatively. It is time for the church and artists to work together to the glory of God and the beauty of the church.

But where are the artists? Some have left to use their gifts more fully in other churches, but most of us are still here. In every church around the world there are actors, painters, poets, writers, dancers, sculptors, potters, photographers, videographers, carpenters, weavers, and creatives of all kinds whose gifts and talents are laying dormant. They are valued out in the artistic world perfecting their craft and doing amazing work, but unfortunately there has not been a regular place for them to use their gifts in Churches of Christ … but this is changing.

It is time to unleash the arts to write, paint, sing, play and dance to the glory of God. It is time for artists and Churches of Christ to finally come out and play together!

Where are the artists? We are here and we are ready!

Rooting Yourself in Belovedness

 

I struggle with perfectionism; not so much that life needs to be perfect, but moreso that I need to be. I’m not really sure when or where it all began, but somehow someway I developed the mindset that my worth was directly connected to my ability to be “good enough”.

However, ‘enough’ is a dangerous standard to strive for because it’s unattainable. The reality is that there is always room for growth (and that’s not a bad thing). But when you begin to equate your value based on your performance, an unhealthy cycle begins. You are constantly striving, always desiring the approval of others, and when you fall short you feel like a complete failure. I’ve lived in this charade for a lot of my life and it’s exhausting. I’ve learned time and time again that in my effort to portray my life is perfect, I am confronted with my inescapable and undeniable brokenness.

Have you ever seen a cat chase after a laser light? It’s hilarious. No matter how many times you wave the little red light around the ground, the cat can’t seem to understand that it can’t actually catch the light. Yet it still tries, over and over and over again; that’s why it’s so funny. What isn’t so humorous is the reality that many of us play the same game. We spend our lives chasing the illusion of perfection only to realize that it’s something that can’t be caught. So why do we continue to chase it?

If my worth is not contingent on my performance, how then do I find my value? As always, we must look to Jesus.

If you think about it, Jesus never really met society’s standards of being ‘enough.’ (Let’s be honest, He still doesn’t). People were so fixated on who the Messiah was supposed to be that they didn’t even recognize Him when He was in their presence.

  • The crowds were often so hungry for a miracle or a sign that they missed His teachings entirely
    • Then Jesus began to denounce the towns in which most of his miracles had been performed, because they did not repent (Matthew 11:20)
  • The religious leaders often discredited Jesus and His teachings because He didn’t seem worthy of being the anointed one of Israel.
    • Now some teachers of the law were sitting there, thinking to themselves,  “Why does this fellow talk like that? He’s blaspheming! (Mark 2:6-7)
  • His family considered Him crazy
    • When his family heard about this, they went to take charge of him, for they said, “He is out of his mind.” (Mark 3:21)
  • His disciples often struggled to fully live out their faith in Him because they were crippled by their own fear
    • “Why are you so afraid? Do you still have no faith?” (Mark 4:40)

If Jesus Himself didn’t meet the standards of being enough, then why do we try so hard to? And if we don’t find our worth in people, then where we place our value?

It’s simple (but so hard): in the Lord.

I am convinced that it was through Jesus’ close intimacy with the Father that He was able to walk in full faith and full confidence into the person God created Him to be. In Matthew 3, “As soon as Jesus was baptized, he went up out of the water. At that moment heaven was opened, and he saw the Spirit of God descending like a dove and alighting on him. And a voice from heaven said, “This is my Son, whom I love; with him I am well pleased.” (v. 16-17). Before Jesus began His public ministry, before He chose His disciples, before He went into the wilderness to face temptation, God spoke His words of Jesus’ ‘enoughness’ over Him. And I believe it was this declaration that Jesus rooted Himself in so that He could fully live out His faith without worrying about being enough for others. He was enough for God, and He knew that is all that matters.

Jesus’ ability to love others fully was embedded and birthed from the truth that He was fully loved by God. If you’re constantly seeking to make people love you, you will never truly love them well; there are selfish motives involved. To love someone well is to love them with the love of Jesus and you can only do that if you claim the love of Jesus over yourself.

The best thing you can do for yourself, the best thing you can do for your family, the best thing you can do for your faith, your ministry, your life, is to deeply root yourself in the unconditional love of Jesus.

Do you know that you are God’s beloved? Do you know that your ‘enoughness’ is based entirely upon who He is? It’s unconditional love. It is strong, it is deep, and it is all consuming if you allow it to be. Despite the broken narrative you’ve believed, you don’t have to earn it. You can soak in it. You can rest in it. You can believe in it. You can walk in it. It is because of His bold, audacious, unwavering love for you that you don’t have to strive for His love or the love of others. You can boldly claim it and proclaim it. And that’s where the adventure begins.   

 

“That’s where ministry starts, because your freedom is anchored in claiming your belovedness. That allows you to go into this world and touch people, heal them, speak with them, and make them aware that they are beloved, chosen, and blessed. When you discover your belovedness by God, you see the belovedness of other people and call that forth. It’s an incredible mystery of God’s love that the more you know how deeply you are loved, the more you will see how deeply your sisters and your brothers in the human family are loved.”

-Henri Nouwen, Moving From Solitude to Community to Ministry

 

Check out Christina’s Spoken Word here:

 

 

Christiana Muir is a follower of Jesus in Nashville, TN. She graduated from Lipscomb University with a degree in Theology in Ministry and is currently church planting among refugees in her city.

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